Venting Too Much
Not me. Them.
I bought some Pentel Felt Pens about 4 years ago. I love those pens, I used them as a teen, and as a young adult, and they were good pens. Familiar in my hands, predictable, easy to get a good line.
The new ones were great. Nice and slick, they just let the ink flow.
I colored in one of those complicated coloring book pages. Just to get the feel of the pens again, it had been a long time.
Next I did a simple one, with lots of water, and very little white space left. I was beginning to work on refining my style. Felt pen has always been something I understood once I originally got the hang of interlining to blend.
Then I undertook a major work. An arrangement of poppy blossoms, very complex. Right toward the end, the Blue pen started to run dry. Barely enough to finish. Three works, and the pen was running dry! I was appalled. How could an artist afford to work if pens had to be replaced after just three works? And the first one hadn’t even USED that much blue, and the second had used OTHER colors of blue!
I did another, and ran out both of my most used green pens.
About then I made a discovery.
The caps on the pens had AIR VENTS in them! Seriously! The caps were vented to make the pens dry out! Pentel, a formerly reputable company just slid into the realm of worthless crooked cheats! $30 for a set of professional art pens recognized the world over as the standard for serious artists. And they do THAT!
Well, I spent about an hour patiently sealing those vents with Shoe Goo. One uses what one has, after all.
Then I put the pens away. I was afraid to start a work with them, for fear something I needed would run out. And so it is.
I can’t buy Pentels again. And I can’t find another brand that is just a regular traditional felt pen, they’ve all gone to something trendy that doesn’t work as well, or which has a tip that gets beaten down faster.
Finally, I have to have felt pens. There is this subject that begs to be rendered by my own personal hand. I must do it. Pens I must have.
I troll the shops online. Nothing appeals. Nothing is what I need it to be.
I finally end up at Hobby Lobby across town, one day, in desperation. They have nothing like what I want either. I finally settle for a carton of pens of two types I do not want, both in the same box. But I think maybe I can make them work until I can find something better.
I get them home, and put them aside while I finish a new work in colored pencil. Then I get the pens out and get my work area set up for the new work.
It is then that I notice the caps on the brand new pens.
I can’t believe my eyes. They are also VENTED! The same type of venting in the caps. (The venting is concealed in the design of the top of the cap – it has slits in it, and they go all the way through).
One thing is sure, I will NEVER be taken in by that again!
I spend 45 minutes sealing both ends of the pen – dual caps. These are easier to do.
We take a trip off to Walmart and Michaels just to see if there are other options.
Not really.
But we do find that the majority of felt pens at Michaels also have vented caps.
I get a package of permanent markers at Walmart, in 50 colors. Tips are too large, but I can do some works in broad tipped pen, so they are worth the purchase. Caps are completely sealed. I made sure before I bought.
This is not the only product we have found that is fatally flawed by some kind of fraud. For fraud this is! But to find it in my favorite pen, and then in so many others is pretty distressing.
So beware. Look things over well before you buy, even some of the brands in the big leagues are derailing.
TIP: Hold the cap up to the light and look through the top of it. If you can see light, it is vented.
Sizzix – I Gave It Away And Then I Learned
As a die cutter, this thing sucks. I mean, the dies DO NOT CUT anything. They PRESS an indentation into things, but the dies don’t even have sharp edges!
So I tried to sell it. Nobody wants it. I set it out to give it away. Nobody wants it. DI, here it comes.
Then I learn it does other things.
It can be used as a print press. Watercolor prints, transferred ink prints, and other types of prints that you dampen and then press into another piece of paper.
Not really my crafty thing. But hey, who knew?
It can be used as a flower press. You know those prints they make from fresh flowers? Lay then down, push them into the paper, and you get a print from the colors of the flower. This thing works for that.
Again, not really my thing, but I really just had to write about it in case you are one of those people who bought a Sizzix or some other kind of die cutter that doesn’t actually CUT anything.
Press it does. Cut it does not!
The Loom That Laura Made
The yarn here is handspun, and then plied, so it is a fine spun thread that has been plied into a two ply yarn.
I am using a single ply, thinner, weft thread, and this pulls it to give it a somewhat scalloped appearance on the sides of the finished ribbon.
This loom was made of thin wall trim, glued together with shoe goo. I made the shuttle and heddles also. More shoe goo.
The warp winds around another wood piece on the back, and I use the two clamps to anchor that wood piece so it won’t unwind.
I also peeled and scraped two pieces of elm branch, to use as raddles at the top. They separate the threads (use the heddle – drop it and insert one raddle, then raise it and insert the other raddle), so they don’t get tangled at the top of the loom. This is how I used it the first time.
Shown here is a SECOND heddle, right at the top of the loom, and I used that on this weaving, to see if it was easier to keep the warp threads from tangling as they unwound from the wood piece on the back. It did help – I didn’t use the raddles at first, but put them in later for this picture to show what they were supposed to be doing. Use of the second heddle there is not needed, it is just an optional thing. Once you start weaving, it doesn’t do anything to help things stay neater if the raddles are in use.
When warping the loom, the second heddle in the back can be moved out to the ends of the warp threads to keep them neat and even as you roll the warp onto the back stick. I kept that heddle just in front of the threads I was winding onto the stick, and it kept them neat and even as they went on.
I’m only using this for shoelaces. It is really too small for any other kind of compressed warp weaving, the heddles that fit it are just too narrow. I could use it for narrow balanced weavings that turn out the full width of the heddle, but it would still be mighty small stuff!
You can see the finished lace, and it is pulled down and wrapped around the back brace on the loom, and held there by a binder clip.
To advance the warp, I remove the binder clip, take off the two pink clips, and then unroll the warp stick. I then refasten the pink clips, and pull on the finished weaving to pull the unrolled warp thread up and over, through the heddle and raddles (again, only one or the other is really required at this point). I pull it very tight and re-clip the finished weaving to the back brace. All the rest of the finished lacing dangles off in a pile.
This loom is pretty tiny, and the working space (space between the obstacles at the top, and the frame at the bottom) where you can actually WEAVE, is very short. I have to advance the warp about every 4″. I think this is about as small as I’d ever want to make a loom for making ribbon or bands, or shoelaces.
People do use smaller looms – pin looms, tiny tapestry looms, H looms, and other little bitty things. They are used for small weavings, pieced projects, etc.
This little loom holds up to a 15 dent heddle – that means 15 holes, and 14 slots, for 29 threads total. If using larger yarn it makes a fairly wide piece, and the warp is not compressed. Once you go to band weaving with a compressed warp though, it narrows down considerably, and will only make half that width or narrower, depending on thread weight (the narrower the thread, the narrower the finished piece).
Is it fun? It is faster than I thought it could be – feels faster, anyway. The warping is tedious and awkward. The advancement of the warp is tiresome. The weaving itself is boring, as weaving tends to be. But it is a calm and simple thing to do when I’m tired, or when I’m occupied with something else and just need to keep my hands busy. I don’t really binge Netflix, I’m not the type anymore, but I do spin or weave in the evenings when we watch a movie, and sometimes during the day when I have to sit down.
I’ll be making another of these, much wider. I want to do wider pieces of compressed warp weavings, with band style straight weave and complex weave designs. I have more homemade heddles that have more than one row of holes in them, to vary the weave type.
UPDATE: I did make another wider loom to make wider weavings on, and when I made this first loom I had also made a beveled shuttle. It took several days of sanding and shaping (I only had hand tools to do it). It was pretty hard to do, and I had no motivation to do another one, especially the larger one I really needed. But I had a 4 inch one (Inkle style), when I discovered how to make a simple shuttle from popsicle sticks. I used the stick shuttle for several sets of laces, and found it to be functional, but sometimes awkward due to having to keep track of two ends as I worked it through the warps.
Today, three weeks after this initial post, I tried the beveled shuttle. It is FAR easier to use, it just slides through without hanging up. I’m really glad I learned to make the popsicle stick shuttle, but I’m much happier using the beveled shuttle.
Pardon My Faux Pas
“Underwater Painting of Alexander Belozor”. That’s what it said. Really.
I’m browsing on Pinterest, looking for some inspiration for the next seashell thingy, and there it is.
And I must say, it didn’t look a thing like him! Truth is, I had a lot of trouble telling just which rock was supposed to be HIM. Maybe the artist didn’t have much talent…
I have great fun sometimes naming my paintings, titling my articles, and coming up with brand names for things I dream up. Occasionally I come up with a screamer – one that just makes people howl with laughter. Sometimes a scorner. But often just plodders.
So far though, I haven’t tried to name anything as a portrait of myself when it was just a scene of something else!
I Am Author
I am Author, Laura Wheeler. Amazon says so.
I have been writing since the seventh grade. Pretty sad stuff, really, until I began writing instructional materials. And then nothing to send out to all the relatives, just stuff that I wanted my clients to know. Viral books to attract new clients.
Now, it is everything. I write about everything. It spills out of my fingers as though I were talking to someone across the room, trying to get it ALL out in an organized manner. Sometimes instructional. Sometimes fanciful. Sometimes poetic or lyrical. Sometimes just a story that I am compelled to write.
I am never that good. Not really. But I am Author. It is now such a large part of me that it cannot be suppressed, even when I feel my worst. Maybe BECAUSE sometimes I feel my worst.
So now I write THIS. And frankly, it is not because I am in a musing frame of mind. It is more mercenary than that. It is because I am publishing. ALL the writing. ALL the art.
And all this really is, is a puff piece to stand there holding up the sandwich board that says, “Book shop! Come in and browse!”.
Amazon has almost all of it. What they do not have, my bookstore does, at Firelight Heritage Farm. That’s Dot Com to you.






